The Undivided Life – Chuck Sandy
āIf we want to grow as teachers — we must do something alien to academic culture: we must talk to each other about our inner lives — risky stuff in a profession that fears the personal and seeks safety in the technical, the distant, the abstract,ā writes Parker Palmer in The Courage To Teach, and so Iād like to tell a story about my continuing journey into wholeness and an undivided life as a teacher and as a person.
At the start of my second year of teaching, I fell into a clinical depression so dark that I wasnāt sure I would get through it. Even getting myself up, dressed, and out of the house was a challenge. Things were that bad. Just when I thought things could not possibly get worse, they did. I was assigned to teach an English Composition course to the freshman members of the university football team.
All these years later, I can still see myself standing in front of that classroom door, trembling with fear as I looked in to see a room full of the biggest, toughest, scariest looking men Iād ever seen gathered in one place. Even under normal circumstances, men like this would have intimidated me. In my depressed state of being, those men terrified me, but somehow I opened that door, walked in and said,Ā āHi. Iām Chuck Sandy, and Iām going to be your teacher this year.ā
They looked at me. I looked at them. No one said a word. I bought myself some minutes by organizing my desk and writing the dayās assignment on the board. The silence deepened. I canāt do this, I thought, and then I reached down as far into myself as I possibly could, pulled out some words, spoke them out loud, and did it.
Still, for that entire hour my inner voice keep saying, āWhat are you doing, Chuck? You canāt do this. Youāre not a teacher. Youāre a loser. Tell them youāre sorry. Tell them thereās been some mistake. Youāre depressed. Everybody can see that, Chuck. Youāre not fooling anyone. Itās as visible to them as it is to you. You canāt do this. Just give up now. Thereās no way youāre going to get through this hour.ā
And yet, I did get through that hour. Even so, walking across campus after class, I was pretty sure Iād just taught the worst class ever taught in the history of teaching, and completely sure I was an utter failure as a teacher. I was also quite sure I wanted to die. Ā Instead, I went to the first class meeting of the Russian Literature in Translation course I was taking, found a seat, got my notebook out, opened my copy of Boris PasternakāsĀ Dr Zhivago, and tried my best to hide.
My teacher, Marilyn Bendena – a Russian Ć©migrĆ© who I thought was probably the most elegant, intelligent, and open person Iād ever seen – made hiding difficult, though.Ā She had us sit in a circle. She pulled her chair in close. She looked into each of our eyes, and in a calm, measured voice, began talking about her life. I was mesmerized. Ā As I packed up my books at the end of that class, Marilyn looked deep into my eyes and said, āIām glad you made it, Chuck. Iām so happy youāre here.ā
That night I went home, and began reading. I read all night. By morning Iād finished Dr. Zhivago. Yesterday, thirty-two years later, I pulled out the book to see what Iād underlined back then. What Iād underlined was:
āHow wonderful to be alive, he thought. But why does it always hurt?ā
āIf you want to know, life is the principle of self-renewal, it is constantly renewing and remaking and changing and transfiguring itself ā¦ā
āAnd remember: you must never, under any circumstances, despair. To hope and to act, these are our duties in misfortune.ā
Two days later, I was back with my football players.Ā As I walked into the room for that second class, one of the biggest and scariest looking guys said, āHey Prof! I got the book! And I did the assignmentā and another one said something like āYeah, me too, but that essay you assigned, I could barely get though it. Some of us guys got together and talked about it, though. Man, this class is going to be hard.ā
For some reason I said, āLetās pull the chairs in a circleā and we did. My inner voice was still saying, Ā āYou canāt do this. You canāt do this. You canāt do thisā and yet I did.
The essay that had been assigned was Jacob Bronowskiās The Reach Of Imagination, a very difficult and even then rather dated essay that includes these lines:
āAlmost everything that we do which is worth doing is done in the first place in the mindās eye. The richness of human life is that we have many lives. We live the events that do not happenĀ ā¦ as vividly as those that do, and if thereby we die a thousand deaths, that is the price we pay for living a thousand lives.ā
āHey, profā the biggest, scariest guy said, āIsnāt that like when Iām in bed imagining myself going up against a defensive line of huge muscled-up guys and canāt sleep because I think, like āIām going to die.ā Is it something like that?ā
No, I wanted to say, itās like me in bed at night imagining that Iām going to have to come in here and teach you because I feel like Iām going to die, but I didnāt say that. I said, āYes, thatās it exactly. What we imagine is as real as whatās actually real.ā
That was the most difficult year of my entire life, but I didnāt die. Those big football players werenāt scary at all. They were scared, too, scared like I was though for different reasons, and learning this helped me face them each week, and share with them something of who I was then, too.
Still, I was convinced I was a terrible teacher. Still, I was sure everyone could see how broken I was. Every class was a challenge, every day a struggle to get through, and yet I did. At the end of the course, several of those big men lifted me up high in the air, threw me up with three cheers, and told me what a great class it had been.
One day during that Russian Literature course with Marilyn Bendena, she invited me to her office for coffee, and asked me if I was OK. I broke into tears and before I could say a word, she hugged me and told me that Iād be all right. Then she told me about her own struggles, helped me get the professional help I needed, gave me a copy of Tolstoyās War and Peace, and told me to read it. I did. I got the help I needed and read all 1400 pages of that book. By the time I finished, I was feeling better.
That was the year having a class of big football players to teach, reading Russian literature, and being lucky enough to have Marilyn Bendena as my own teacher saved my life. That was the year I started becoming the teacher I am now, and the person I am still very much in the process of becoming.
The last time I ever saw Marilyn, she gave me a copy of Boris Pasternakās poem, After The Storm which has these lines at its center:
The gutters overflow; the change of weatherāØ
Makes all you see appear alive and new.
Meanwhile the shades of sky are growing lighter,
Beyond the blackest cloud the height is blue.
Ā
An artist’s hand, with mastery still greaterāØ
Wipes dirt and dust off objects in his path.
Reality and life, the past and present,
Emerge transformed out of his colour-bath.
Feel free to replace the word āartistā with the word āteacherā if you wish.
Parker Palmer writes,Ā āAfraid that our inner light will be extinguished or our inner darkness exposed, we hide our true identities from each other. In the process, we become separated from our own souls. We end up livingĀ divided lives, so far removed from the truth we hold within that we cannot know the āintegrity that comes from being what you areāā.
I still suffer from bouts of depression from time to time. I still experience times of brokenness when I feel far from whole, yet I continue to learn, teach, grow, and live. Whatās changed mostly is that Iām no longer afraid of being visible, no longer afraid of speaking the truth about who I am and who Iām becoming, and so I tell you this story. I hope someday, youāll share yours. Hereās to the undivided life.
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