{"id":6129,"date":"2017-06-24T02:31:31","date_gmt":"2017-06-24T02:31:31","guid":{"rendered":"https:\/\/itdi.pro\/blog\/?p=6129"},"modified":"2021-05-06T07:21:39","modified_gmt":"2021-05-06T07:21:39","slug":"better-writing-publisher-publishing","status":"publish","type":"post","link":"https:\/\/itdi.pro\/blog\/2017\/06\/24\/better-writing-publisher-publishing\/","title":{"rendered":"Which is Better, Writing for a Publisher or Publishing by Yourself?"},"content":{"rendered":"
\"Dorothy
Dorothy Zemach<\/figcaption><\/figure>\n

By Dorothy Zemach<\/em><\/p>\n

Recent years have seen a boom in self-publishing, or indie publishing. Pretty much anybody with a computer and Microsoft Word can crank out a book and put it up for sale on Amazon. Does this mean the death of traditional publishing (called in the biz \u201ctrad pub\u201d)?<\/p>\n

Heck no. At least, not for ELT textbooks. The nature of our materials is very different from a novel, which is basically just text. At the same time, though, I think self-publishing is bringing back the type of book that disappeared around the 1980s as big coursebooks took off.<\/p>\n

So if you\u2019re a materials writer, what type of publisher is best for you? And if you\u2019re a materials buyer, from which type of publisher will you be able to find the most suitable materials?<\/p>\n

I\u2019ve written a good 20 or so textbooks for trad pub, everything from workbooks and teacher\u2019s guides to skills books to coursebooks; and then I\u2019ve self-pubbed fiction and ELT materials, and now in fact run a micropress that publishes my own work and that of other authors. I also work as an editor for trad publishers, my own authors, and independent authors. Drawing on that experience, then, here\u2019s what I would advise:<\/p>\n

 <\/p>\n

Traditional Publisher<\/b><\/p>\n

Go here if you have a big project<\/b> (such as a book with several levels; or a book with many components, like a student book, workbook, website, teacher\u2019s book, and so on). Big publishers are skilled at herding all the cats necessary to handle big projects like these.<\/p>\n

Likewise, trad pubs are better able to handle things like audio<\/b>, video<\/b>, and some art<\/b> requirements (like illustrations instead of stock photos) that require both expertise and a big budget.<\/p>\n

Trad pub is also what you\u2019re looking for if you want to write\u2014and just write<\/b>. Yes, publishers take a hefty cut of the profits; most ELT publishing contracts award only 10% or even less of the net profit to the author. A book that retails for $50 might actually earn only $2.50 or so, after all the expenses have been paid; the author\u2019s share, then, would be .25. Some books earn more, but those figures are not atypical for the sorts of books I have published. But in return, the publisher handles at a minimum editing, proofreading, recording, design, formatting, and sales and marketing, and sometimes more, including concept and approach.<\/p>\n

 <\/p>\n

Self-Publishing<\/b><\/p>\n

Because your expenses are lower (I assume you\u2019re not maintaining a large home office in London or New York as well as sales offices around the globe), you can handle smaller projects<\/b>\u2014ones that wouldn\u2019t make enough money to be worth it to a trad pub, but would still make good money for you. Think of \u201cone off\u201d titles; things that aren\u2019t series. Think too materials for specific audiences, such as niches of ESP or bilingual materials meant for one country. The bigger publishers are more and more reluctant to invest in books that aren\u2019t multilevel series; but then some of the smaller audiences with more specific needs wind up without targeted materials.<\/p>\n

Many indies publish ebooks and print-on-demand paperbacks, rather than doing a print run of 25,000 copies. That means that indie publishing is ideal for time-sensitive material<\/b>\u2014something you want published very quickly, or something that needs constant updating. If I want to change something in a self-pubbed book, I can have those changes rolled out in 24-48 hours. For a trad pubbed book, I\u2019d have to wait for reprints or a new edition, which could take anywhere from several months to several years to never.<\/p>\n

Ebooks are especially suitable for short books<\/b>. You don\u2019t need to include a long introduction about the history of teaching pronunciation in the world if that isn\u2019t necessary. I\u2019ve published ebooks around 5,000 words long (so, roughly five times the length of this article). I say what I need to say, and then I stop. That saves the customer both time and money.<\/p>\n

You\u2019ll make more money per copy sold<\/b> with self-publishing. Current royalty rates for ebook authors are 60-70% of cover price (not net!), and for paperbacks, once the printing costs are met, you can set your own price, and know instantly how much you\u2019ll earn per copy.<\/p>\n

Want to do things your own way<\/b>? Self-publishing gives you that control. You decide the content\u2014as well as the artwork, the cover, and the price. And all of those things are easy to change if you change your mind later.<\/p>\n

Remember, though, that as an indie, you do have to do all the things<\/b>. Self-publishing is more than typing. You are now the one responsible for arranging an editor and a proofreader, and then once the book is published, you\u2019re the one in charge of marketing and publicity. With great power comes great responsibility, as they say. Think honestly about whether handling everything would be stressful for you or fulfilling.<\/p>\n

 <\/p>\n

Middle Ground<\/b><\/p>\n

Ebook and print-on-demand technology has also given rise to small publishers, which can be a good compromise for those authors with smaller, more targeted projects who don\u2019t wish to handle all of the non-writing aspects of the job. The publisher will still take some of your royalties in exchange for providing services, but royalty rates are generally higher than for the big trad pubs (my little company, for example, offers 50% royalties on ebooks and 40% on print, for most projects).<\/p>\n

 <\/p>\n

I love self-publishing, and I\u2019ll only do more as the years go on. At the same time, though, I love the projects I do through traditional publishers as well. I just use different channels for different types of materials.<\/p>\n

I don\u2019t think there\u2019s ever been a better time to be an author\u2014or, for that matter, a consumer, because so many more types of works are now available to you.<\/p>\n

* * *<\/p>\n

If you\u2019re interested in exploring self-publishing in-depth, I\u2019m doing a one-month course for ELT teachers through iTDi. We\u2019ll do everything: evaluate your materials for suitability; write the book (\u201cwe\u201d in this case obviously means \u201cyou\u201d\u2014you<\/i> will write your book); edit and proofread it; format it for ebook publication; design or source a cover and add interior art; discuss distribution, sales, and marketing; and finally create a finished product. It\u2019ll be a busy month, but even if you go through the process with just a few chapters, you\u2019ll know how it\u2019s done. For more information, click here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

By Dorothy Zemach Recent years have seen a boom in self-publishing, or indie publishing. Pretty much anybody with a computer and Microsoft Word can crank out a book and put it up for sale on Amazon. Does this mean the death of traditional publishing (called in the biz \u201ctrad pub\u201d)? Heck no. At least, not … Continue reading Which is Better, Writing for a Publisher or Publishing by Yourself?<\/span><\/a><\/p>\n","protected":false},"author":104,"featured_media":6133,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[117],"tags":[],"class_list":["post-6129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-teacher-as-author"],"_links":{"self":[{"href":"https:\/\/itdi.pro\/blog\/wp-json\/wp\/v2\/posts\/6129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/itdi.pro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/itdi.pro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/itdi.pro\/blog\/wp-json\/wp\/v2\/users\/104"}],"replies":[{"embeddable":true,"href":"https:\/\/itdi.pro\/blog\/wp-json\/wp\/v2\/comments?post=6129"}],"version-history":[{"count":1,"href":"https:\/\/itdi.pro\/blog\/wp-json\/wp\/v2\/posts\/6129\/revisions"}],"predecessor-version":[{"id":6969,"href":"https:\/\/itdi.pro\/blog\/wp-json\/wp\/v2\/posts\/6129\/revisions\/6969"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/itdi.pro\/blog\/wp-json\/wp\/v2\/media\/6133"}],"wp:attachment":[{"href":"https:\/\/itdi.pro\/blog\/wp-json\/wp\/v2\/media?parent=6129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/itdi.pro\/blog\/wp-json\/wp\/v2\/categories?post=6129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/itdi.pro\/blog\/wp-json\/wp\/v2\/tags?post=6129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}